Concerts at the 2021 Golandsky Institute Virtual Summer Symposium
Concert access is INCLUDED for Symposium participants
Friday, July 9 @ 7:30 PM ET
Concert access is INCLUDED for Symposium participants
Sofya Gulyak
Recital in Style Brilliante
- Carl Maria von Weber – Rondeau Brillant Op. 62
- Felix Mendelssohn – Rondo Capriccioso Op. 14
- Sigismond Thalberg – Barcarolle Op. 60
- Camille Saint-Saëns – Etude en forme de Valse Op. 52 No. 6
- Liszt – Etude “La Campanella”
- Frédéric Chopin – Variations Brillantes B-dur Op. 12
- Frédéric Chopin – Valses Brillantes Op. 34 No. 2 and Op.34 No. 3
- Frédéric Chopin – Andante Spianato and Grande Polonaise Brilliante Op. 22
In September 2009 Sofya Gulyak was awarded the 1st prize and the Princess Mary Gold Medal at the Sixteenth Leeds International Piano Competition – the first woman in the history of the competition to achieve this distinction. Since then she has appeared all over the world to great acclaim. Her recital programs are frequently reviewed in superlatives, and her concerto appearances with major orchestras are noted in glowing terms by the world’s music press. Sofya has been praised for her “tremendous precision and coloration…exquisite soft playing …with delicacy” and described as a “Rach star”(Washington Post). Sofya Gulyak’s resume includes prizes from many prestigious piano competitions: she is a 1st prize winner of William Kapell International Piano Competition in the USA, Maj Lind Helsinki International Piano Competition, Tivoli Piano Competition in Copenhagen, Isang Yun International Piano Competition in South Korea, San Marino Piano Competition, winner of Busoni Competition in Italy and prize winner of Marguerite Long Piano Competition in Paris. Recitals and concert appearances have been numerous, with Sofya Gulyak having performed all over the globe in such venues as La Scala Theatre and Sala Verdi in Milan, Herculessaal in Munich, Salle Cortot, Salle Gaveau and Salle Pleyel in Paris, Wigmore Hall in London, Grand Hall of Moscow Conservatory, Konzerthaus in Berlin, Gewandhaus in Leipzig, Kennedy Center in Washington, Palais de la Musique in Strasbourg, Hong Kong City Hall, Shanghai Grand Theatre, Tokyo Opera City Hall, Osaka Symphony Hall, Musashino Cultural Centre in Tokyo, National Hungarian Opera in Budapest, National Forum of Music in Wroclaw, Finlandia Hall in Helsinki, Bridgewater Hall in Manchester, Teatro Municipal and Cidade des Artes in Rio de Janeiro, Auditorium Manzoni in Bologna, Salle Molière in Lyon, Walt Disney Hall in Los Angeles, King Theatre in Rabat, Kursaal in Bern, Tivoli Concert Hall in Copenhagen etc..
Sofya Gulyak appeared as a soloist with the London Philharmonic Orchestra, Finnish Radio Symphony, Saint-Petersburg Philharmonic, Rio de Janeiro Symphony, Royal Liverpool Philharmonic Orchestra, Hallé Orchestra, BBC Scottish Symphony Orchestra, Orchestra of Opera North, Orchestra dell’ Arena di Verona, Orchestra Filarmonica di Bologna, Budapest Philharmonic, Enescu Philharmonic, Stavanger Symphony, Deutsche Staatsphilharmonie Rheinland-Pfalz, Slovak Radio Symphony, Helsinki Philharmonic, Copenhagen Symphony, Ulster Symphony, Orchestre National de France, Shanghai Philharmonic, NFM Wroclaw Philharmonic, Orchestra Sinfonica Siciliana, Oulu Philharmonic, Leipzig Philharmonic, Pensacola Symphony, Tatarstan Symphony, Philippines Philharmonic, Morocco Philharmonic and others. She collaborated with conductors such as Vladimir Ashkenazy, Sakari Oramo, Mark Elder, David Hill, Donald Runnicle, Vasily Petrenko, Alexander Lazarev, Alan Buribayev, Eiving Gullberg Jensen, Karl-Heinz Steffens, Theodor Guschlbauer, Giancarlo Guerrero, Rory McDonald, Danail Rachev, Fabio Mastrangelo, Michele Mariotti, Marat Bisengaliev, Fuat Mansurov, Alexander Sladkovsky, Daria Stasevska, Eiji Oue, Mario Kosik, Jesus Medina, Peter Rubardt.
The festivals in which Sofya Gulyak participated include Klavier Ruhr Festival, Chopin Festival in Duzniki-Zdroj, Festival de Sceaux, International Keyboard Festival in New York, International Strasbourg Festival, Busoni Festival, Harrogate Festival, “Joy of Music festival” in Hong Kong, Kraków Piano Festival, New Zealand Piano Festival, Ravello Festival, Festival Chopin in Paris, Shanghai International Piano Festival and many others.
Sofya Gulyak’s recording of Russian piano music (Medtner, Rachmaninoff, Prokofiev) was released on Champs Hill Records in 2013 and received a 5 stars review in Diapason magazine (“What a pleasure to hear the piano blossoming and projecting in the most vivid of ways when played by Sofya Gulyak. The singing sound alongside dazzling and powerful execution distinguishes an outstanding natural pianist”) and glowing review from “Gramophone” (“This is a stunning debut album…”) and “Guardian” magazines (“Sofya Gulyak is a fearless pianist, never afraid to scale the most technically demanding heights of the repertoire and equally proud to wear her heart on her sleeve”). Her CD with Brahms music was released on Piano Classics 2015 and has got praising review from American Record Guide (“The Handel Variations is among the top contenders on record. From the very first notes she takes charge and envelops us in a thrilling sequence of variations that will send goose bumps to susceptible listeners. She keeps you on the edge of your seat, as the music presses ever forward. Sometimes I was reminded of the young Argerich”) and “Fanfare” magazine (“Her musicality is beautifully attuned to the spirit of Brahms…I must praise Kazan-born Russian pianist Sofya Gulyak, whose impressive reading places a stronger emphasis than Perahia’s on the continuity of the variations…She’s a natural Brahmsian whatever his moods.”) … Her next CD with the Chaconnes for piano was released in 2017 on Champs Hill records (“…A fascinating collection, superbly realised and beautifully recorded…”-Artdesk; “Gulyak is a musician of exceptional depth and profundity, and a pianist with seemingly unlimited technical resources… I can’t wait to hear more of her…Of particular note are her beautiful versions of the Nielsen, the Casella, a ferocious Busoni Toccata, and a sparkling account of the Handel Chaconne.”-Fanfare Magazine)
As chamber musician Sofya Gulyak collaborated with Wihan, Chilingirian, Arianna quartets, Quartetto di Venezia, soloists of English Chamber orchestra, violinists Olivier Charlie and Marianne Piketty, viola player Tatjana Masurenko, baritone Loa Falkman, cellists Quirine Viersen and Yuki Ito (with whom she recorded a CD of Rachmaninoff’s music for Champs Hill Records).
Sofya Gulyak is a native of Kazan (Russia) where she studied in a Special Music College under Nailya Khakimova, and then in Kazan State Conservatoire under Professor Elfiya Burnasheva. After that she continued her studies at the Piano Academy “Incontri col Maestro” (Imola, Italy) with Boris Petrushansky and at the Royal College of Music in London with Vanessa Latarche. Sofya Gulyak attended as a jury member the international piano competitions in Italy, Serbia, France, Greece, USA, and was invited to teach master classes in China, Italy, Austria, United Kingdom, Australia, New Zealand, Philippines, Hong Kong, Mexico, USA, Canada and Germany. She is an Artistic director of “Roberta Gallinari” International Piano competition in Italy.
She is presently a professor of the piano at the Royal College of Music in London. During 2016-2018 she was also a guest professor at “Monteverdi” Conservatory in Bolzano (Italy). Her playing has been broadcast on radio and TV in Russia, Poland, France, Italy, Germany, USA, Finland, Denmark, Serbia, New Zealand, Brazil, Mexico, United Kingdom (BBC3 and BBC4) and other countries.
Saturday, July 10 @ 7:30 PM ET
Concert access is INCLUDED for Symposium participants
Ilya Itin
Nikolai Medtner “Forgotten Melodies” Op. 38
- Sonata Reminiscenza
- Danza graziosa
- Danza festiva
- Canzona fluviala
- Danza rustica
- Canzona serenata
- Danza silvestra
- Coda. Alla Reminiscenza
Ilya Itin has performed with many of the world’s great conductors, including Sir Simon Rattle, Neemi Jarvi, Christoph von Dohnanyi, Yakov Kreizberg, Vassily Sinaisky, Valery Polyansky, and Mikhail Pletnev performing as soloist with orchestras, including the Cleveland Orchestra, the St. Petersburg Philharmonic, the Tokyo Symphony, the National Symphony, the London Philharmonic, the China National Symphony, the Symphony Orchestra of India; the Mexico City Philharmonic; and the Rochester Philharmonic.
Born in Yekaterinburg, Russia, his piano studies began at the Sverdlovsk School for the Gifted with Natalia Litvinova. He went on to graduate from the Moscow Conservatory with the highest honors in 1990 working with legendary teacher Lev Naumov. Mr. Itin won his first major piano competition while at the Conservatory, taking second place in the 1990 Russian National Rachmaninov Competition. Soon after, he won top honors in the William Kapell Competition, followed by First Prize, and the Special Chopin Prize at the Casadesus Competition (Cleveland Competition), and the Best Performance of a Work of Mozart, Best Prokofiev Performance, and Third Prize at the Gina Bachauer Competition.
Ilya Itin is on the teaching faculties of the Musashino Academy in Tokyo, the Academy of the Miami International Piano Festival and the Golandsky Institute at Princeton University. He has also taught in the piano departments of the Juilliard School prep and college divisions, Peabody Conservatory, and the Graduate Program at CUNY. Ilya Itin resides in Tokyo, Japan, and New York City where he maintains a private teaching studio.
Sunday, July 11 @ 7:30 PM ET
Concert access is INCLUDED for Symposium participants
Sean Duggan
“The Many Faces of Bach’s Keyboard Music” — including Bach the virtuoso, the teacher, the contrapuntist, the humorist, and the melodist.
Born in Jersey City, NJ, Sean Duggan obtained his bachelor of music degree at Loyola University, New Orleans, his master of fine arts degree at Carnegie Mellon University and his master of arts theology at Notre Dame Seminary, New Orleans. He entered the Benedictine order in 1982 and was ordained a priest in 1988. He was a member of the piano faculty at University of Michigan from 2001 to 2004 and has been piano faculty at SUNY Fredonia from 2004 to present.
In September 1983 he won first prize in the Johann Sebastian Bach International Competition for Pianists in Washington, D.C., and again in August 1991. Having a special affinity for the music of Bach, in 2000 he performed the complete cycle of Bach’s keyboard works eight times in various American and European cities. For seven years he hosted a weekly program on the New Orleans NPR station entitled “Bach on Sunday.” He is presently in the midst of recording the complete cycle of Bach’s keyboard (piano) music, which will comprise 24 CDs.
Duggan has performed with many orchestras including the Louisiana Philharmonic, the Buffalo Philharmonic, the Leipzig Gewandhaus Orchestra, the Leipzig Baroque Soloists, the Prague Chamber Orchestra, the American Chamber Orchestra, and the Pennsylvania Sinfonia. From 2001 to 2004 he was a visiting professor of piano at the University of Michigan. Currently he is associate professor of piano at SUNY at Fredonia. During the fall semester of 2008 he was also a guest professor of piano at Eastman School of Music.
Duggan has been a guest artist and adjudicator at the Chautauqua Institution for several summers, and is also a faculty member of the Golandsky Institute at Princeton, New Jersey. He continues to study the Taubman approach with Edna Golandsky in New York City.
