Aaron Jacobs

I first met Edna Golandsky just over two years ago. At the time, I was entering my first year studying jazz piano at the New School for Jazz and

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Danilo Perez

Before I met Edna I always had to warm up. Now I can sit at the piano and just go. I never get uncomfortable or tired. Even when I am away from

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Bill Charlap

This is a method of tuning into the body’s natural sense of alignment, a technique that helps musicians add strength as well as agility to

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Don Glanden

Don Glanden, Professor, The University of the Arts In the fall of 1995 I began to experience some discomfort related to my piano technique. This

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Tom Lawton

TOM LAWTON, Senior Lecturer, University of the Arts Tom Lawton: Portrait Of A Jazz Pianist Interviewed by Vic Schermer (excerpt) VS: Some

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Gilson Schachnik

An Interview With Gilson Schachnik What is your name and current position?Gilson Schachnik. Associate Professor, Berklee College of Music (Ear

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Kat Sherrell

I started studying with a student of Edna’s and then Edna soon after I first started playing rehearsals for a Broadway show, my first true

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Sylvie Courvoisier

I have had the good fortune of working with Edna Golandsky since 2002.  She has given me all the tools to solve any pianistic issues.

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Art Bailey

Dear Edna, I can’t thank you enough for your patience and guidance, and for this incredible work you’ve developed.  Without any

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Antonin Boinay

First of all, I would like to thank Edna for her kindness and her support during the year I spent in New York (from 2014 to 2015).  I would

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