Symposium Testimonial 4

“Absolutely anyone could benefit from these wonderful lectures, and of course their openness to questions makes it even more worthwhile. I

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Symposium Testimonial 2

“Thank you, and for making this possible from my house in Wales! It’s amazing to be able to participate in something like this

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Symposium Testimonial 1

“I am very pleased that I had the opportunity to study the Taubman method under your adroit guidance. It is amazing how a pianist can go

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Lisa Yui

Working with Edna Golandsky has been one of the most transformative events of my musical life. I was introduced to Edna following years of hand

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Yuri Aoki

My experience with Ms. Golandsky took place when I was a member of the Lindemann Young Artist Development Program at the Metropolitan Opera, as a

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Sophie Till

Edna Golandsky has been the single most influential figure in my career as a violinist. Her willingness to work with me, a violinist, moving out

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Ron Stabinsky

In 2000, I was practicing many hours trying to learn quickly a piece of new music for solo piano with many large chords. As a result of

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Yaniv Dinur

Prior to my lessons with Edna, playing the piano felt like combat. When I first came to her, I pointed to a passage that I’d been struggling with

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Jin Jeon

I’ve always been eager to know more about playing the piano and classical music. When I was 17, I decided to move to the birthplace of

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Dimitris Kostopoulos

I first discovered Edna Golandsky, the Golandsky Institute and the Taubman approach back in 2010. I remember being very frustrated at the time.

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Ryan Bridge

In a sense, I was very lucky, in that I never had an injury serious enough to cause me to stop playing piano. But I did have occasional pain, and

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