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The Jazz Corner


"The even tone that results when the forearm, hand, and fingers are connected allows for accents and idiomatic jazz articulations but frees me from the strong finger vs. weak finger problem... The physical freedom offered by the Taubman approach is the perfect companion to the creative freedom pursued by improvising jazz pianists."
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—Don Glanden
University of the Arts, Chairman of the Piano Department


"The movements are designed to put you in the optimum position for every note . . . you have more control over the sound of every note."
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—Tom Lawton
Temple University


"I find more and more that the only way a performing musician can cope with this level of stress is to have a solid technique background that he/she can depend on consistently." Read More


—Gilson Schachnik. Associate Professor, Berklee College of Music
(Ear Training Department)



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